Original Script

Scene One:

There is a close-up of a machine gun in all its glory with a credit written  across this. A hand moves into the shot and grabs hold off the  gun. There are credits in the form of tattoos across this hand.
This turns into a POV shot where the handler of the gun is looking down at it. On the floor is a credit.

The handler of the gun performs a reloading action and as he does this, a credit will appear along the "cocking" of the gun. The camera then changes to a wide shot of the gun handler but only from the back view. This then turns into a tilt shot which then becomes a mid shot of our gun handler.

His name is Shamus and he is a quiet and astonishing boy in reality however, momentarily he is confident and preparing for a mission.

Scene Two:


There is an over the shoulder shot which reveals a door way. As our Shamus moves through this door, it becomes a front view wide shot. This however turns to a front shot again to reveal a Bandit. The music at tis point will pick up to build tension between the two men as they prepare to fight. There should be animalistic expressions to make it seem more carnal.

Shamus puts down his heavy machine gun and rugby tackles the bandit. The fight scene is in a two shot the whole way through. The two men are now struggling for the Bandits handgun. In order to obtain the gun, Shamus thwacks the bandit in the face with his fist. Giving him more then enough time to grab his gun off him and shoot him in the head.

There is now a wide shot with a glimpse of the dead Bandits body, as Shamus enters yet another door, however picking up his machine gun before he does so.

Scene Three:

An over the shoulder shot from Shamus' point of view reveals a girl/woman tied to the chair with a blindfold. There is a man who holds a gun to AJ's head, who is another main character. The next shot is at first empty but the bandit/kidnapper is seen falling into the shot. This is a mid-shot of him dead. The music is fast paced throughout this scene to mimic the action as they in themselves are very quick.

There is now a side angle wide shot where you can see a glimpse of the dead kidnapper's body. Shamus is hurrying over to her and taking off her bandit. This quickly jumps to cut in/ extreme close-up of AJ's hands those of which are tied to a chair. The next shot is of Shamus and AJ running out of the hostage room, with AJ now in possession of the gun. The door that they both slam open has a credit written on it.

There is now also a birds eye view shot of them running.

Scene Four:
 There is an establishing shot to reveal that AJ and Shamus have now successfully escaped and are in a safe haven. This switches to a mid-shot of AJ:

AJ: Thanks for bringing me back... but as you know things move very quickly in this establishment and I am happy to present you with your next mission statement.

In this shot, there is a massive display of match-on action. As he takes the piece of paper from AJ, he opens it up to reveal one final credit which is our name of the film. There he questions AJ:

Shamus: But... this is a plain piece of paper?

As he looks up, there is what appears to be computers and a screen with a timer ticking down. This is a point of view shot and we do not see Shamus' face just yet.

He looks to the side where AJ is seated next to him. This is a side angle mid shot. AJ's clothes have changed:

AJ: Well, what did you expect it to be? This is a test, hurry up and get started.

We now reveal Shamus for the first time as he is sitting at a desk. He is an average looking boy, with nothing weird or unique to his features.

FIN