Saturday, 19 January 2013
Wednesday, 16 January 2013
Tuesday, 15 January 2013
Final Commentary
THE WHOLE WAY THROUGH THIS OPENING SEQUENCE, CREDITS WILL COME AND GO AS IF SOMEONE IS FLUTTERING THEIR EYES
Shot One:
We start off with a title of the production company. This is to make it look more like a professional opening title sequence. Music used in the sequence “thunderous beat”. The music is used so it matches other companies that have similar theme music to their titles. Music then fades when the production company titles disappear.
Shot Two:
The 2nd shot is another production company title to show that it is a collaboration. The music is also a thunderous beat and fades out into the next title. This is so that we can elongate the opening sequence and give it more of a realistic edge.
Shot Three:
The 3rd Shot is going to be a quote within regards to our main theme, it will be the same as the other two titles with a black background and a white font. The quote itself will have slight hints to our theme of daydreaming but will not give away the theme as a whole. It will just get the audience thinking and pull them in even closer so as to interest them as this type of title has not been done in a long time.
Shot Four:
The 4th shot is a shot focusing center on the gun close up showing the whole gun to make it one of the main focuses. This already shows that there may be action involved as the gun symbolizes that there will be shooting and violence involved. You can hear someone speaking and giving some ‘go ahead’ to the protagonist to infiltrate something. Music begins from this point onwards. The song genre is dub step to create the effect of fast paced actions to fore come. This will be mimicked by the music every step of the way.
Shot Five:
The 5th shot shows a hand taking the gun. It is still the close up of the gun just like the previous shot but there is a hand that has actually moved it out of its place. We continued to use the same shot because, the hand picking the gun up can be normally incorporated into the shot and it helps with continuity. Music is still present in this shot and is the same as the music used for the opening titles as although the audience will be wondering why he is reloading, the action is drab and slow moving.
Shot Six:
The 6th shot shows a close up of the gun, but in his hands. We use this shot to make it more obvious that there is an obvious genre which revolves around the gun, as well as an obvious aim as to why such a "tool" is required. The effect of this is to make sure that the audience are deceived by what they see now and be able to make links and comparisons in terms of what will come later on.
Shot Seven:
In the 7th shot, Shamus is staking out Bandit A. He then waits for the right moment and swoops into a hiding spot. This is all a wide shot. The music has been cleverly edited to mimic this action; changing from a serious, simple and moody beat to a adrenaline pumping, upbeat action hit.
Shot Eight:
In this wide shot, Shamus leaves his heavy machine gun behind the barrier in order to have a successful surprise attack. The music is rising as Shamus creeps up on the Bandit. This shows the difference of intelligence between Bandit A and Shamus as Bandit A, though armed is terrible at keeping watch.
Shot Nine:
It is an over the shoulder shot of Bandit A where you can see Shamus creep up on him. This shot was used to build up tension as the audience will be wondering what Shamus does as a whole to the unsuspecting and poorly mentally equipped Bandit A. This also shows that Shamus doesn't necessarily like this character who is a possible tormentor, in terms of reality. The music is still rising. The Bandit dies a quick death as Shamus snaps his neck.
Shot Ten:
This is an extreme close-up/ cut in of the dead bandit's gun still clutched in his hand which Shamus rips away, just like he did with Bandit A's life. Bandit A is insignificant to the daydream as a whole but in real life, he adds to Shamus' mental torment and has much control over the way things go in his life. The music is still the same at this point.
Shot Eleven:
This is a wide shot where Shamus prepares himself to enter the door. Here Shamus is seen as standing outside the door with a glimpse of the poor soul in the background. In this shot you can see Shamus push the door open. This shot emphasizes the fact that although Shamus may look harmless, he is the exact opposite. The music is still the same; at this point, its sole purpose is to build tension for the audience as they ponder on whether Shamus will kill again.
Shot Twelve:
The camera switches to an over the shoulder view of Shamus. This reveals AJ, from the back, who is a girl, but tracks out to reveal she is a hostage as well as the Bandit is keeping her at knifepoint. The fact that it shows her first reveals that she is why Shamus has put himself in a dangerous situation. This therefore reveals that Shamus is on a rescue mission and reveals to the audience that Shamus is a "good guy," as they would imagine him to be. The music is the same as the previous shot but with more emphasis within its sounds.
Shot Thirteen:
This is a close-up of the Bandit who is wearing a face covering. He is quite tall and big which gives off a intimidating vibe. The music is lowered a little to make his barks at Shamus to lose the weapon more intelligible.
Shot Fourteen:There is a close-up of Shamus who deceives the bandit into thinking he is giving up but instead quickly shoots him but Shamus does not let out this vibe as his expression is also a stern and fearless expression. The expression on Shamus' face is quite wide-eyed and alert to show the audience that the man is quite intimidating/ dangerous. The music is still upbeat and great.
Shot Fifteen:
The camera has now moved to a close-up of the Bandit whose Blood has spattered around him as he has just been shot. The music at this point takes a downturn as it has lowered slightly. This shows how serious Shamus is about saving AJ, the reason which I believe we will let the audience guess.
Shot Sixteen:
There is now a wide shot of the Bandit/teacher falling to the floor supposedly dead. This shows that although this bandit is meant to be more intimidating, Shamus is still not scared of anything. This shows the audience how ambitious Shamus is as a character to complete a task. The music is low and serious to show the audience of the next few actions that take place.
Shot Seventeen:
Shamus then walks over to the bandit, in which there is a close-up of him, and pulls down his bandana/ covering to reveal his face. The music has become very serious and suspenseful at this point to add to the audience's worries.
The music takes a suspenseful turn in this shot as it shows a close-up of AJ completely still due to the fact that a shot rung right past her ear. This is a very simple and fast shot and shows that AJ is an important character to the film as well as we filmed her reaction. This signifies that how she reacts and thinks of things will be important later on in the film. Here there is a cut-in/ close-up of her hands as Shamus unties them.
Shot Eighteen:
There is a close-up of AJ as Shamus helps to untie her blindfold. This shot is very quick but important as it emphasizes the hostility of the situation as well as the gentle treatment from Shamus as he walks over to her to help her out so that she isn't alarmed and holds her upper arm to show that he is there and will guide her to safety.
Shot Nineteen:
There is now a wide shot which turns into a two shot of AJ and Shamus as they now embark on their escape. The music is slower then before and serious to show the importance of their following actions. This shot is important as it shows the relationship between the two characters and therefore how much they need and support each other.
Shot Twenty:
This is a bird's eye view of the two running down a hallway within which they are trying to escape. This could indicate to the audience that they are being watched, which they may justify due to later events in the opening sequence. The music is still serious.
Shot Twenty-One:
This is where Shamus' name gets called out. There is a two shot of their reaction to this. As you can see, they are quite confused and possibly a little worried as they try to search for the source. This shows that although they are a team, they are also in possession of their own minds and also shows AJ's care for Shamus.The audio is brought down in order to hear the name being called clearly.
Shot Twenty-Two:
They both stop running as soon as they come to the end of the hallway. There is a two shot of AJ and Shamus which could indicate that they are meant to be together in the end as they are both great friends and obviously care for each other to react and act in certain ways. The music here reaches its climax.
Shot Twenty-Three:
This is a tracking shot moving towards Shamus. When it reaches him, it becomes a mid shot. Here, a loud bang is heard and Shamus turns around. This then switches to a classroom setting. At this point, there will be a massive moment of amongst the audience as the whole situation has changed.
Shot Twenty Four:
This is a mid-shot of the teacher which is another shocker for the audience as they would recognize him as the bandit that Shamus shot to save AJ. The music has come to a stop as the teacher berates Shamus for not doing his work.
Shot Twenty Five:
This is a mid-shot of Shamus' reaction to waking up. He has a slight smirk on his face as he replies to his teacher. This therefore shows Shamus' reality. He is a nerdy boy who is still in college and not an elite spy. It also defies the convention of a nerd being a teacher's pet.
Shot Twenty Six:
There is a wide shot as the teacher walks away and patrols the class. This reveals why Shamus is not on good terms due to the way his teacher treats him. The classroom is quite neat and tidy and every student are seated alone, perhaps orchestrated this way by the teacher to make himself feel as if he is more powerful when he berates them as they cannot turn to anyone for support..
Shot Twenty Seven:
This is a medium shot from a side angle to show that Shamus steals a quick glimpse at AJ who is seated in the table next to him. This shows how important AJ is to our protagonist as well as how important she will be in the film. The awkward silence of the classroom as well as the situation is clearer when AJ does not respond to him and acts as if she can't see him, perhaps indicating that she may not care for him as he does for her.
Shot One:
We start off with a title of the production company. This is to make it look more like a professional opening title sequence. Music used in the sequence “thunderous beat”. The music is used so it matches other companies that have similar theme music to their titles. Music then fades when the production company titles disappear.
Shot Two:
The 2nd shot is another production company title to show that it is a collaboration. The music is also a thunderous beat and fades out into the next title. This is so that we can elongate the opening sequence and give it more of a realistic edge.
Shot Three:
The 3rd Shot is going to be a quote within regards to our main theme, it will be the same as the other two titles with a black background and a white font. The quote itself will have slight hints to our theme of daydreaming but will not give away the theme as a whole. It will just get the audience thinking and pull them in even closer so as to interest them as this type of title has not been done in a long time.
Shot Four:
The 4th shot is a shot focusing center on the gun close up showing the whole gun to make it one of the main focuses. This already shows that there may be action involved as the gun symbolizes that there will be shooting and violence involved. You can hear someone speaking and giving some ‘go ahead’ to the protagonist to infiltrate something. Music begins from this point onwards. The song genre is dub step to create the effect of fast paced actions to fore come. This will be mimicked by the music every step of the way.
Shot Five:
The 5th shot shows a hand taking the gun. It is still the close up of the gun just like the previous shot but there is a hand that has actually moved it out of its place. We continued to use the same shot because, the hand picking the gun up can be normally incorporated into the shot and it helps with continuity. Music is still present in this shot and is the same as the music used for the opening titles as although the audience will be wondering why he is reloading, the action is drab and slow moving.
Shot Six:
The 6th shot shows a close up of the gun, but in his hands. We use this shot to make it more obvious that there is an obvious genre which revolves around the gun, as well as an obvious aim as to why such a "tool" is required. The effect of this is to make sure that the audience are deceived by what they see now and be able to make links and comparisons in terms of what will come later on.
Shot Seven:
In the 7th shot, Shamus is staking out Bandit A. He then waits for the right moment and swoops into a hiding spot. This is all a wide shot. The music has been cleverly edited to mimic this action; changing from a serious, simple and moody beat to a adrenaline pumping, upbeat action hit.
Shot Eight:
In this wide shot, Shamus leaves his heavy machine gun behind the barrier in order to have a successful surprise attack. The music is rising as Shamus creeps up on the Bandit. This shows the difference of intelligence between Bandit A and Shamus as Bandit A, though armed is terrible at keeping watch.
Shot Nine:
It is an over the shoulder shot of Bandit A where you can see Shamus creep up on him. This shot was used to build up tension as the audience will be wondering what Shamus does as a whole to the unsuspecting and poorly mentally equipped Bandit A. This also shows that Shamus doesn't necessarily like this character who is a possible tormentor, in terms of reality. The music is still rising. The Bandit dies a quick death as Shamus snaps his neck.
Shot Ten:
This is an extreme close-up/ cut in of the dead bandit's gun still clutched in his hand which Shamus rips away, just like he did with Bandit A's life. Bandit A is insignificant to the daydream as a whole but in real life, he adds to Shamus' mental torment and has much control over the way things go in his life. The music is still the same at this point.
Shot Eleven:
This is a wide shot where Shamus prepares himself to enter the door. Here Shamus is seen as standing outside the door with a glimpse of the poor soul in the background. In this shot you can see Shamus push the door open. This shot emphasizes the fact that although Shamus may look harmless, he is the exact opposite. The music is still the same; at this point, its sole purpose is to build tension for the audience as they ponder on whether Shamus will kill again.
Shot Twelve:
The camera switches to an over the shoulder view of Shamus. This reveals AJ, from the back, who is a girl, but tracks out to reveal she is a hostage as well as the Bandit is keeping her at knifepoint. The fact that it shows her first reveals that she is why Shamus has put himself in a dangerous situation. This therefore reveals that Shamus is on a rescue mission and reveals to the audience that Shamus is a "good guy," as they would imagine him to be. The music is the same as the previous shot but with more emphasis within its sounds.
Shot Thirteen:
This is a close-up of the Bandit who is wearing a face covering. He is quite tall and big which gives off a intimidating vibe. The music is lowered a little to make his barks at Shamus to lose the weapon more intelligible.
Shot Fourteen:There is a close-up of Shamus who deceives the bandit into thinking he is giving up but instead quickly shoots him but Shamus does not let out this vibe as his expression is also a stern and fearless expression. The expression on Shamus' face is quite wide-eyed and alert to show the audience that the man is quite intimidating/ dangerous. The music is still upbeat and great.
Shot Fifteen:
The camera has now moved to a close-up of the Bandit whose Blood has spattered around him as he has just been shot. The music at this point takes a downturn as it has lowered slightly. This shows how serious Shamus is about saving AJ, the reason which I believe we will let the audience guess.
Shot Sixteen:
There is now a wide shot of the Bandit/teacher falling to the floor supposedly dead. This shows that although this bandit is meant to be more intimidating, Shamus is still not scared of anything. This shows the audience how ambitious Shamus is as a character to complete a task. The music is low and serious to show the audience of the next few actions that take place.
Shot Seventeen:
Shamus then walks over to the bandit, in which there is a close-up of him, and pulls down his bandana/ covering to reveal his face. The music has become very serious and suspenseful at this point to add to the audience's worries.
The music takes a suspenseful turn in this shot as it shows a close-up of AJ completely still due to the fact that a shot rung right past her ear. This is a very simple and fast shot and shows that AJ is an important character to the film as well as we filmed her reaction. This signifies that how she reacts and thinks of things will be important later on in the film. Here there is a cut-in/ close-up of her hands as Shamus unties them.
Shot Eighteen:
There is a close-up of AJ as Shamus helps to untie her blindfold. This shot is very quick but important as it emphasizes the hostility of the situation as well as the gentle treatment from Shamus as he walks over to her to help her out so that she isn't alarmed and holds her upper arm to show that he is there and will guide her to safety.
Shot Nineteen:
There is now a wide shot which turns into a two shot of AJ and Shamus as they now embark on their escape. The music is slower then before and serious to show the importance of their following actions. This shot is important as it shows the relationship between the two characters and therefore how much they need and support each other.
Shot Twenty:
This is a bird's eye view of the two running down a hallway within which they are trying to escape. This could indicate to the audience that they are being watched, which they may justify due to later events in the opening sequence. The music is still serious.
Shot Twenty-One:
This is where Shamus' name gets called out. There is a two shot of their reaction to this. As you can see, they are quite confused and possibly a little worried as they try to search for the source. This shows that although they are a team, they are also in possession of their own minds and also shows AJ's care for Shamus.The audio is brought down in order to hear the name being called clearly.
Shot Twenty-Two:
They both stop running as soon as they come to the end of the hallway. There is a two shot of AJ and Shamus which could indicate that they are meant to be together in the end as they are both great friends and obviously care for each other to react and act in certain ways. The music here reaches its climax.
Shot Twenty-Three:
This is a tracking shot moving towards Shamus. When it reaches him, it becomes a mid shot. Here, a loud bang is heard and Shamus turns around. This then switches to a classroom setting. At this point, there will be a massive moment of amongst the audience as the whole situation has changed.
Shot Twenty Four:
This is a mid-shot of the teacher which is another shocker for the audience as they would recognize him as the bandit that Shamus shot to save AJ. The music has come to a stop as the teacher berates Shamus for not doing his work.
Shot Twenty Five:
This is a mid-shot of Shamus' reaction to waking up. He has a slight smirk on his face as he replies to his teacher. This therefore shows Shamus' reality. He is a nerdy boy who is still in college and not an elite spy. It also defies the convention of a nerd being a teacher's pet.
Shot Twenty Six:
There is a wide shot as the teacher walks away and patrols the class. This reveals why Shamus is not on good terms due to the way his teacher treats him. The classroom is quite neat and tidy and every student are seated alone, perhaps orchestrated this way by the teacher to make himself feel as if he is more powerful when he berates them as they cannot turn to anyone for support..
Shot Twenty Seven:
This is a medium shot from a side angle to show that Shamus steals a quick glimpse at AJ who is seated in the table next to him. This shows how important AJ is to our protagonist as well as how important she will be in the film. The awkward silence of the classroom as well as the situation is clearer when AJ does not respond to him and acts as if she can't see him, perhaps indicating that she may not care for him as he does for her.
Shot Twenty Eight:
It now switches to a wide shot of the whole classroom setting and the tracking shot is in reverse. Shortly after, there is a title with the name of our film, using music that is different to the one we used during our opening sequence as it elaborates on the intense conclusion from our previous music and signifies that the coming events are to be dealt with a serious attitude.
Sunday, 13 January 2013
Commentary 2
This is our storyboard and commentary after a strenuous revision of the original drafts due to some healthy and helpful feedback.
Script 3
Scene One:
You see a close-up of a gun being handled and reloaded. This is a series of close-up shots. There is then a point of view shot where a person is seen holding the gun.
This quickly switches to an over the shoulder shot from a bandit's point of view which the character Shamus can be seen (although in the image Shamus is played by a girl). They both begin to fight, which is in a mid-shot, and Shamus throws a punch at the Bandit which results in him keeling over. This enables Shamus to steal his gun and therefore shoot Bandit A.
There is a wide shot of Bandit A (played by a different actor as our previous actor refused to lie on the dirty floor) in which you can see a glimpse of Shamus as he turns to run. This switches to a wide shot of Shamus running.
END SCENE
Scene Two:
Shamus has now entered another place There is an over the shoulder shot from a bandits point where Shamus is revealed to have stopped running. This over the shoulder shot switches to Shamus to reveal AJ (sadly played by a boy in our photo storyboard) bound and blinded with a scarf.
The camera then switches to a close-up of Shamus steadily holding the gun and aiming at the Bandit. He then pulls the trigger. There is a clos-up of the Bandit's reaction to when he gets shot (he dies).
This swiftly switches to a close-up of AJ who has now turned quite still and breathing intensely as a gunshot has just rung past her ears. This switches to a wide shot to reveal Shamus running towards her in order to free her. There s an extreme close-up/ cut in of her tied up hands as Shamus' hand moves in to take them off.
END SCENE
Scene Three:
There is now a medium two shot of AJ and Shamus as they slam a door open to run through a hallway. This quickly switches to a birds eye view.
As they are running you can hear the name Shamus being whispered eerily which both characters react to. This signifies both their importance as characters.
As Shamus turns around to end anyone who wishes to harm them, he finds he is staring up at and angry teacher who berates him for not doing his work:
Teacher: (SLAMS DOWN ON TABLE) SHAMUS! Why aren't you doing your work?
Shamus: Sorry Sir, I'll do it now.
Teacher: Hmm...
FIN
You see a close-up of a gun being handled and reloaded. This is a series of close-up shots. There is then a point of view shot where a person is seen holding the gun.
This quickly switches to an over the shoulder shot from a bandit's point of view which the character Shamus can be seen (although in the image Shamus is played by a girl). They both begin to fight, which is in a mid-shot, and Shamus throws a punch at the Bandit which results in him keeling over. This enables Shamus to steal his gun and therefore shoot Bandit A.
There is a wide shot of Bandit A (played by a different actor as our previous actor refused to lie on the dirty floor) in which you can see a glimpse of Shamus as he turns to run. This switches to a wide shot of Shamus running.
END SCENE
Scene Two:
Shamus has now entered another place There is an over the shoulder shot from a bandits point where Shamus is revealed to have stopped running. This over the shoulder shot switches to Shamus to reveal AJ (sadly played by a boy in our photo storyboard) bound and blinded with a scarf.
The camera then switches to a close-up of Shamus steadily holding the gun and aiming at the Bandit. He then pulls the trigger. There is a clos-up of the Bandit's reaction to when he gets shot (he dies).
This swiftly switches to a close-up of AJ who has now turned quite still and breathing intensely as a gunshot has just rung past her ears. This switches to a wide shot to reveal Shamus running towards her in order to free her. There s an extreme close-up/ cut in of her tied up hands as Shamus' hand moves in to take them off.
END SCENE
Scene Three:
There is now a medium two shot of AJ and Shamus as they slam a door open to run through a hallway. This quickly switches to a birds eye view.
As they are running you can hear the name Shamus being whispered eerily which both characters react to. This signifies both their importance as characters.
As Shamus turns around to end anyone who wishes to harm them, he finds he is staring up at and angry teacher who berates him for not doing his work:
Teacher: (SLAMS DOWN ON TABLE) SHAMUS! Why aren't you doing your work?
Shamus: Sorry Sir, I'll do it now.
Teacher: Hmm...
FIN
Script 2
Scene One:
The first shot you see is a close-up of a gun. On this gun are credits with a name of one the actors. Hands come into the shot and remove it from its hanging place. This hand has credits written across almost like it is blinking. It switches to a POV shot of the boy holding the gun. On the floor, from what we can see will be another credit.
The music starts as we see the magazine placed into the gun and he is reloading it. There is a tracking shot which begins from a wide shot of the back of our protagonist that then moves towards his front. We now see the character for the first time. He is wearing a Bluetooth and holding the heavy machine gun. This is a mid-shot.
It has now switched to an over the shoulder shot in which the audience can see that he is calmly but quickly approaching a door. The camera shot quickly switches to a front view of Shamus entering the door.
END SCENE
Scene Two:
The music builds up as the camera switches to yet another over the shoulder shot where Shamus is nearing a confrontation with Bandit A. Shamus runs at the bandit ,swiftly punching him as he does so.
This results in him keeling over, giving time for Shamus to relieve him of his gun and point it at him. It is quite obvious that Shamus, without a second thought will shoot him. dead, therefore effectively relieving him from his life of possible evil
The music has become more intense at this point.
END SCENE
Scene Three:
We see a long shot of Shamus entering though yet another door where you can also see a glimpse of Bandit A's dead body. This switches to another over the shoulder shot which reveals AJ blindfolded and tied to a chair with an intimidating physique and very scary expression. The bandit/teacher is wearing a black hoodie.
However Shamus is fearless and shoots him, although the audience do not see this as to signify that the character is not important enough to show his death. You just see a mid shot, where he falls into the shot dead already. There is a credit spooling out of the bandit as if it is blood with his gun clattered on the floor nearby.
END SCENE
There is a wide shot of Shamus approaching AJ hurriedly. This switches to a close-up of AJ's hands that have been tied in which Shamus is seen as untying. The next shot is a mid-shot of the two as AJ is seen as holding the bandit/teacher's gun as they slam the door open. The door has credits sprawled across it.
This switches to a Bird's eye view of the two running. There is now a wide two shot of AJ and Shamus still running. The music itself is reaching a suspenseful climax.
You now hear a voice which calls :
"Shamus" repeatedly. This causes the two to look around with confusion as they are running. It blinks away to a credit. This audio will be voiced by the bandit/teacher.
This is repeated until they both stop running and Shamus turns around to see a teacher at a desk in a classroom, who also happened to be the kidnapper ,and now with gruffness and harshness in his tone, orders:
"Shamus do your work."
FIN
The first shot you see is a close-up of a gun. On this gun are credits with a name of one the actors. Hands come into the shot and remove it from its hanging place. This hand has credits written across almost like it is blinking. It switches to a POV shot of the boy holding the gun. On the floor, from what we can see will be another credit.
The music starts as we see the magazine placed into the gun and he is reloading it. There is a tracking shot which begins from a wide shot of the back of our protagonist that then moves towards his front. We now see the character for the first time. He is wearing a Bluetooth and holding the heavy machine gun. This is a mid-shot.
It has now switched to an over the shoulder shot in which the audience can see that he is calmly but quickly approaching a door. The camera shot quickly switches to a front view of Shamus entering the door.
END SCENE
Scene Two:
The music builds up as the camera switches to yet another over the shoulder shot where Shamus is nearing a confrontation with Bandit A. Shamus runs at the bandit ,swiftly punching him as he does so.
This results in him keeling over, giving time for Shamus to relieve him of his gun and point it at him. It is quite obvious that Shamus, without a second thought will shoot him. dead, therefore effectively relieving him from his life of possible evil
The music has become more intense at this point.
END SCENE
Scene Three:
We see a long shot of Shamus entering though yet another door where you can also see a glimpse of Bandit A's dead body. This switches to another over the shoulder shot which reveals AJ blindfolded and tied to a chair with an intimidating physique and very scary expression. The bandit/teacher is wearing a black hoodie.
However Shamus is fearless and shoots him, although the audience do not see this as to signify that the character is not important enough to show his death. You just see a mid shot, where he falls into the shot dead already. There is a credit spooling out of the bandit as if it is blood with his gun clattered on the floor nearby.
END SCENE
There is a wide shot of Shamus approaching AJ hurriedly. This switches to a close-up of AJ's hands that have been tied in which Shamus is seen as untying. The next shot is a mid-shot of the two as AJ is seen as holding the bandit/teacher's gun as they slam the door open. The door has credits sprawled across it.
This switches to a Bird's eye view of the two running. There is now a wide two shot of AJ and Shamus still running. The music itself is reaching a suspenseful climax.
You now hear a voice which calls :
"Shamus" repeatedly. This causes the two to look around with confusion as they are running. It blinks away to a credit. This audio will be voiced by the bandit/teacher.
This is repeated until they both stop running and Shamus turns around to see a teacher at a desk in a classroom, who also happened to be the kidnapper ,and now with gruffness and harshness in his tone, orders:
"Shamus do your work."
FIN
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